Paris · Weddings & Private Events
A chateau is a beautiful room and a difficult building. The electrical supply was not designed for a modern sound system, the interiors are protected so nothing can be fixed to them, and a hall of stone and glass returns every note twice. Dinner is often in one room, dancing in another, the ceremony outside in a courtyard. Nourith and her technicians take those constraints as the starting point, then build an evening that uses the acoustics of the place instead of fighting them.
Questions
Often, yes. Many estates run on a supply that a full production will trip once catering and lighting are also drawing on it. The available circuits are checked before the contract is signed. The lighter formats draw very little, while the Live Band from 12,000 EUR arrives with technicians who speak to the venue directly.
By placement rather than volume. A stone hall reverberates, which is generous for a solo voice and unforgiving for a dancefloor, so the system is set narrow and low and the check is done in the finished room. An unamplified voice in an orangery can be the most striking moment of the day.
Yes, and it usually is. Two or three performance positions across a chateau day is normal: courtyard for the ceremony, terrace or orangery for the cocktail, the great hall for dinner and dancing. Each move is a set-up, and the transitions are timed with your planner so they stay silent.
No. Nothing is drilled, taped or hung on a protected interior. Equipment stands free, cabling runs covered along the floor, and the venue conditions are read before the day rather than discovered on it. Chateau owners are used to being asked, and they notice a supplier who asks first.
Enquire
Tell me about your celebration. Every reply is personal, from Nourith herself.
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